I was introduced to analogue photography as a kid by my father and with ups and downs, I've fiddled with cameras since the young age. In 1993 I moved from Genova to Milano and for almost 20 years I have worked as a producer and directorfor TV shows,documentaries and ADV; throughout this whole time, I regarded to photography as a sort of visual sketchbook. Around 10 years ago I stepped into professional photography as a sport and landscape photographer on golf courses, and on those very locations I started exploring the reign of invisible light. In the following years I have experimented with IR and architecture, and how IR light responds to different materials. Between 2015 and 2018 I have produced two extensive series on Milan’s and Rome’s iconic buildings. In 2017 I started travelling the world and experimenting IR photography with different atmospheric and light conditions in the Middle East, South America, Central and Eastern Asia. I have produced a consistent body of work mainly focused on Architecture and Minimal Landscape. I have recently started working on IR Portraits and artificial light sources applied to Infrared Photography.
At present day, Infrared Photography is at the heart of my work.
“Invisible light of the city” is a long term project that set off in 2015, after few years of experimentation and field trial, outside the most common context of infrared natural landscapes. IR Photography led me to “see” light in a different way, as the intensity with which different materials absorb and reflect infrared radiation, rather than the grayscale rendition of some specific color. This concept, together with the superior crispness of detail rendition specific to infrared light, well applies to architecture photography and it’s at the origin of the project which portrays the most iconic buildings and landmarks around the world. The rendition of luminosity in infrared photography gives rise to a surreal and time-suspended atmosphere – further enhanced by the absolute lack of human presence - that makes structures and buildings stand out. With DIY modified digital cameras I explore beyond the limits of human vision, in that part of the light spectrum where color becomes a meaningless notion, and luminosity is way different from what we normally perceive. In fact, what I show in my pictures is technically invisible to the naked eye.